{"id":800,"date":"2020-01-01T18:32:14","date_gmt":"2020-01-01T23:32:14","guid":{"rendered":"http:\/\/fortneranderson.com\/?page_id=800"},"modified":"2020-01-04T16:51:37","modified_gmt":"2020-01-04T21:51:37","slug":"le-poeme-perpetuel","status":"publish","type":"page","link":"https:\/\/fortneranderson.com\/?page_id=800","title":{"rendered":"Le Po\u00e8me perpetuel"},"content":{"rendered":"

\"fe2e85cb-70a9-464b-8a78-7ee3f1e04ca4_338\"<\/a><\/p>\n

Conception:<\/strong> Fortner Anderson and James Schidlowsky
\nText and voice:<\/strong> Fortner Anderson
\nProgramming:<\/strong> James Schidlowsky
\nDuration:<\/strong> approximately 6971 years.
\nPresented:<\/strong> Gal\u00e9rie CLARK, Montreal, October 2018<\/p>\n

Le poe\u0300me perpe\u0301tuel is a sound installation that presents the listener with a continuous (and almost perpetual) flow of original poems in real time. Each 10-word poem is provided by the author’s voice, and each poem is unique.<\/p>\n

Listen to Le Po\u00e8me perpetuel<\/strong><\/a><\/p>\n

Each poem is created from a matrix of 100 words divided into 10 rows and 10 columns. The choice of each word, according to its position in the matrix, was determined by certain syntactic and poetic constraints. For example, the 10 words in row 1 are all adjectives of four syllables, and in row 2, each word is a noun of three syllables.<\/p>\n

From 100 sound files, each containing a word, the computer generates a new random combination of 10 files so as to create a new poem of 10 words. Due to the algorithms used to construct the matrix, each combination of 10 words generated will thus make sense, syntactically as well as poetically.<\/p>\n

The number of possible poems is 10 billion. It would take at least 6971 years of continuous listening to hear all possible poem combinations.<\/p>\n

\n

Id\u00e9e originale :<\/strong> Fortner Anderson and James Schidlowsky
\nTexte et voix :<\/strong> Fortner Anderson
\nCodage :<\/strong> James Schidlowsky
\nDur\u00e9e :<\/strong> d’environ 6971 ann\u00e9es.<\/p>\n

Present\u00e9 :<\/strong> Gal\u00e9rie CLARK, Montr\u00e9al, octobre 2018<\/p>\n

Le poe\u0300me perpe\u0301tuel est une installation sonore qui pre\u0301sente a\u0300 l\u2019auditeur ou a\u0300 l\u2019auditrice un flux continuel, et quasi perpe\u0301tuel, de poe\u0300mes originaux en anglais. Chaque poe\u0300me de 10 mots est lu par la voix de l\u2019auteur et chaque poe\u0300me est unique.<\/p>\n

\u00c9coutez \u00e0 Le Po\u00e8me perpetuel<\/em><\/strong><\/a><\/p>\n

Les poe\u0300mes sont cre\u0301e\u0301s a\u0300 partir d\u2019une matrice de 100 mots re\u0301partis en 10 range\u0301es et 10 colonnes. Le choix des mots, selon leur position dans la matrice, est de\u0301termine\u0301 par des contraintes syntactiques et poe\u0301tiques. Par exemple, les mots de la range\u0301e 1 sont tous des adjectifs de quatre syllabes et ceux de la range\u0301e 2 sont des noms de trois syllabes. A\u0300 partir de 100 fichiers sonores, l\u2019ordinateur ge\u0301ne\u0300re une nouvelle combinaison de manie\u0300re a\u0300 cre\u0301er un nouveau poe\u0300me de 10 mots en choisissant au hasard un mot de chaque range\u0301e. Les contraintes de composition assurent que les combinaisons de 10 mots ge\u0301ne\u0301re\u0301es sont cohe\u0301rentes, tant sur le plan syntactique que poe\u0301tique.<\/p>\n

Le nombre de poe\u0300mes possibles est donc de 10 milliards. Cela prendrait au moins 6 971 anne\u0301es d\u2019e\u0301coute continuelle pour entendre toutes les combinaisons possibles.<\/p>\n","protected":false},"excerpt":{"rendered":"

Conception: Fortner Anderson and James Schidlowsky Text and voice: Fortner Anderson Programming: James Schidlowsky Duration: approximately 6971 years. Presented: Gal\u00e9rie CLARK, Montreal, October 2018 Le poe\u0300me perpe\u0301tuel is a sound installation that presents the listener with a continuous (and almost perpetual) flow of original poems in real time. Each 10-word poem is provided by the … Continue reading Le Po\u00e8me perpetuel<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-800","page","type-page","status-publish","hentry"],"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/fortneranderson.com\/index.php?rest_route=\/wp\/v2\/pages\/800","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fortneranderson.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fortneranderson.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fortneranderson.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/fortneranderson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=800"}],"version-history":[{"count":13,"href":"https:\/\/fortneranderson.com\/index.php?rest_route=\/wp\/v2\/pages\/800\/revisions"}],"predecessor-version":[{"id":832,"href":"https:\/\/fortneranderson.com\/index.php?rest_route=\/wp\/v2\/pages\/800\/revisions\/832"}],"wp:attachment":[{"href":"https:\/\/fortneranderson.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=800"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}